旼컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴커 읕컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴컴� 旼컴컴컴컴컴컴컴컴컴컴컴컴� � � 旼컴컴컴컴� 旼컴컴컴컴� 旼컴컴컴커 � � 旼컴컴컴컴� � 旼� 旼� � � 旼컴컴� � � 旼컴커 읏 � � � 旼컴컴� � � � � � � � � � � � � � 읏 � � � � � � � � � � � � � � � � � � � 粕 � � � � � � � � � � � � � � 읕컴컴� � � 읕컴켸 粕 � � � 읕컴컴� � 읕� 읕� 읕� 읕컴컴컴컴� 읕컴컴컴켸 읕켸 읕컴컴컴컴� 旼컴컴컴컴컴� 旼컴컴컴컴컴� 旼컴컴컴컴컴� � � � � � � � 旼컴컴컴� � 旼컴컴컴� � 旼컴커 � � � � � � 읕컴켸 � � 읕컴컴컴� � 읕컴컴컴� � � � � � � 읕컴컴컴� � � 旼컴커 � � 旼컴커 � � � � 읕컴켸 � � 읕컴켸 � 旼컴컴컴� � � � � � � � 읕컴컴컴컴컴� 읕컴컴컴컴컴� 읕컴컴컴컴컴� Converter by DTown Incorporated. (C) 1993. Usage: MODTO669 [options|file [options|file [options|file...]]] Options are: /B0 /B1 /S /M /1 /2 /Dx Explanation of options: /B0 /B1 Because some MOD-players have their own interpretation of how to handle the D-command (break from pattern), the /B0 and /B1 options can be used. With the /B0, a pattern will be broken from, after the row is played. With the /B1 option, the row is not played anymore. /B0 is the default. /M /S For all SBPro users: The /S option converts the channels 1/2/3/4 to 1+2/3+4/5+6/7+8. In that way the music will be in stereo. The /M option converts the channels 1/2/3/4 to 1/3/5/7. This can be useful if you intend to modify the 669, using more samples/channels. /S is the default. /1 /2 These commands will only be used in stereo-mode. It adds the command 'd1' to each note where possible. In that way, the music will sound a little more harmonic. With the /1 option the 'd1' will not be added. Note: With /2 the samples are played in different frequencies, so it will only sound good if you are not using large samples. /1 is the default. /Dx The 669 uses a default tempo for each pattern. However in the MOD the tempo is played until another tempocommand is detected. With this command the default tempo will be set to x for each pattern. x is a number from 1 to 8. Note: The tempos is MODs are very different from the tempos in 669s! If no /D specified, 3 will be used as default tempo. Some other notes: 1. Filenames may include wildcards. 2. Filenames may be followed by options to be used with next MOD. 3. All options and files must be separated by spaces. 4. The 669-files will always be written in the current directory. 5. The 669-format does not allow a default sample-number. When a sample-number 0 occurs, MODTO669 will use the sample-number of the last sample played on that channel, as the sample to be played. If no other sample is played before (in that pattern), sample 3F is played... 6. The highest patternnumber in the sequence must be equal to the number of patterns saved in the MOD. If you are using a MOD-editor which allows the highest pattern not to be played, add that pattern to the sequence and erase it in the .669 after converting. The samples are not correctly converted if this is not the case... 7. Due to the specific mixing of 8 channels, the sample could sound a bit raw after converting. It occurs when a sample is over-amplified. Some examples: MODTO669 /M /B1 MODFILE1.MOD /S MODFILE2.MOD /B0 *.NST Converts MODFILE1.MOD in mono, breaking on row. Converts MODFILE2.MOD in stereo, breaking on row. Converts all NST-files in stereo, breaking after row. MODTO669 /D2 /2 MODFILE3.MOD Converts MODFILE3.MOD adding the 'd1', and using tempo 2. MODTO669 /M /D0 MODFILE4.MOD Converts MODFILE4.MOD in mono, with tempo 3 (0 is illegal). Credits: This program was written by DTown Inc. If you found a bug, if you have any questions, or if you just want to contact me, you can E-Mail me at jafcdiss@cs.ruu.nl Last modification made on the 13th of January 1993. Oh yeah, I hereby donate this peace of software to the world, and may music live 4ever! Greetz, _/_/_/_/ _/_/_/_/_/ _/ _/ _/ _/ _/ _/ _/_/_/ _/ _/ _/_/_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/_/_/_/ _/ _/_/_/ _/ _/ _/ _/ _/ _/ _/